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An acclaimed fixture on New York television and in the theatre community for 30 years, the American Theatre Wing's Working in the Theatre offers an unprecedented forum for the meeting of theatrical minds.
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This theatre interview show brings together performers, directors, playwrights, designers, choreographers, producers and behind-the-scenes personnel from the American and international theatre, the interviews offer a rare opportunity for students and audiences to see and hear the people who create theatre engaged in thoughtful conversation with one another. With more than 900 past guests, the interviews have become an unequalled archive of theatrical talk, a chance to hear from the people behind the characters, stories and productions that draw us to the theatre.
The American Theatre Wing's Working in the Theatre receives leadership support from
THE DOROTHY STRELSIN FOUNDATION.
Working in the Theatre is made possible with public funds from the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York State's 62 counties.
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Playwright, Director and Choreographer |
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With:
Martin Charnin - Director
Larry L. King - Playwright
Rob Marshall - Choreographer
Peter Masterson - Director
Lonny Price - Director
Robert Jess Roth - Director
Erin Sanders - Playwright
Ernest Schier - Dramaturg
Tazewell Thompson - Director
Brendan Gill - Moderator
George C. White - Moderator
Isabelle Stevenson - Host
The panel - director Martin Charnin (The Flowering Peach), Best Little Whorehouse Goes Public playwright Larry L. King and director/co-writer Peter Masterson, choreographer Rob Marshall (Kiss of the Spiderwoman), director/writer Lonny Price (Sally Marr and Her Escorts), Second Stage Theatre dramaturg/literary manager Erin Sanders, director Robert Jess Roth (Beauty and the Beast), Ernest Schier director of the National Critics' Institute at the Eugene O'Neill Theatre Center, and Tazewell Thompson Artistic Director of the Syracuse Stage - talk about the different ways that writers collaborate, the role of a dramaturg, how choreography and directing can be intertwined, developing a production in workshops, and reimagining an animated film as a stage musical.
Originally taped - April, 1994
Running Time - 1:30:00
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