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An acclaimed fixture on New York television and in the theatre community for 30 years, the American Theatre Wing's Working in the Theatre offers an unprecedented forum for the meeting of theatrical minds.
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This theatre interview show brings together performers, directors, playwrights, designers, choreographers, producers and behind-the-scenes personnel from the American and international theatre, the interviews offer a rare opportunity for students and audiences to see and hear the people who create theatre engaged in thoughtful conversation with one another. With more than 900 past guests, the interviews have become an unequalled archive of theatrical talk, a chance to hear from the people behind the characters, stories and productions that draw us to the theatre.
The American Theatre Wing's Working in the Theatre receives leadership support from
The Dorothy Strelsin Foundation.
Note: We are in the process of converting Working in the Theatre to Flash video format; therefore our most recent episodes will be Flash video, with later episodes being Real video. We hope to finish the conversion in the near future. If you have any questions or comments, please use our contact page. |
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Production: Master Class |
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With:
Lewis Allen - Producer
Doris Blum - Producing Associate
Karen Kay Cody - Actor
Bill Evans - Press Representative
Alan Filderman - Casting Agent
Dianne Trulock - Stage Manager
Jim Weiner - Advertising Agent
George C. White - Moderator
Isabelle Stevenson - Host
The production team of Master Class -- producer Lewis Allen, producing associate Doris Blum, actress Karen Day Cody, press agent Bill Evans, casting director Alan Filderman, stage manager Dianne Trulock, and advertising representative Jim Weiner -- traces the show from its Montana workshop, to stagings in Philadelphia, L.A., and D.C., to opening in New York; how the creators, designers, and operatic cast were put together; developing the publicity and advertising campaigns including the casting of Zoe Caldwell's replacement Patti LuPone; and producing under the Broadway Alliance contract.
Originally taped - April, 1996
Running Time - 1:30:00
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