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Rare insights into the working process of America's most seminal directors and choreographers are the focus of "Masters of the Stage." This series features more than three decades of priceless One-on-One interviews and panel discussions with theatre's most distinguished luminaries. Listen to these never before broadcast programs and hear the story of the American theatre told by those who helped chart its course. The Stage Directors and Choreographers Foundation brings you to this series through the collaborative efforts of the Society of Stage Directors and Choreographers and the American Theatre Wing.

Richard Foreman Get the Flash Player to see this player. With: Richard Foreman Steven Drukman - Moderator Professor/Playwright Steven Drukman sat down with theatre artist Richard Foreman in April of 1997 at Artsconnection to discuss theatrical innovation in an interview co-sponsored by SDCF and the Drama League Directors Project. Foreman illuminates an early career of set design as a teenager in Westchester, NY; as an actor at Brown University; as a playwright at Yale. He confides that his origins as a director stem from an unwillingness of his contemporaries to direct his pieces. Drukman questions the reasoning behind the geometric, psychologically-charged staging of his earlier minimalist works in New York and his progression to the maximally theatric. Foreman discusses his 8-12 week rehearsal process, his admiration for film and irrational imagination. This enlightening interview gives listeners the opportunity to experience the mind of one of avant-garde theatre's pioneers, and his theatre of "infantile impulses". Originally recorded - April 10, 1997 Running Time - 1:23:40 If you enjoyed this episode of SDCF Masters of The Stage you may want to: Subscribe to our podcasts