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Rare insights into the working process of America's most seminal directors and choreographers are the focus of "Masters of the Stage." This series features more than three decades of priceless One-on-One interviews and panel discussions with theatre's most distinguished luminaries. Listen to these never before broadcast programs and hear the story of the American theatre told by those who helped chart its course. The Stage Directors and Choreographers Foundation brings you to this series through the collaborative efforts of the Society of Stage Directors and Choreographers and the American Theatre Wing.

Gene Saks Get the Flash Player to see this player. With: Gene Saks Steve Kaplan - Moderator In January of 1987, SDCF brought one of Broadway's most beloved directors to New Dramatists for a conversation about comedy. Collaborators are quoted as saying "I would like to be surgically attached to his hip" and "I wouldn't mind if I never worked with another director again". In this 90 minute interview, you'll learn how Tony Award winner Gene Saks has engineered a career as one the most respected directors in American theatre. He is known for his understanding and protection of the actor's process, stemming from years as a performer on Broadway. Moreover, he is known for the rapport he develops with his casts. In this interview Saks admits that his relationships begin during casting where he looks for actors that he can "fall in love with", albeit for a limited period of time. He also looks for intelligence, and acknowledges that intelligence and a sense of humor go hand in hand. The discussion covers personal relationships with both Neil Simon and Simon's plays. He confronts what has changed about the nature of comedic entertainment as he explains that the world has become "more serious, today". He illuminates his process and his manner of "over-directing" in the early stages of a production, only to later trim down the stage business as a sculptor would excess. He talks of the humoristic mentality and maintains that he is not a director of comedy at all; rather, that he approaches all stories, serious or humorous, with an eye toward conveying its message through the vehicle of comedy. Originally recorded - January 29, 1987 Running Time - 1:11:09 If you enjoyed this episode of SDCF Masters of The Stage you may want to: Subscribe to our podcasts