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Downstage Center
Go in-depth with the leading artists and professionals working on stage today when you go Downstage Center. Downstage Center is the American Theatre Wing's acclaimed weekly theatrical interview program that spotlights the creative talents on Broadway, Off-Broadway, across the country and around the world, with in-depth conversations that simply can't be found anywhere else. Now in its sixth year, Downstage Center, produced in association with CUNY Graduate School of Journalism, has been featured by the Associated Press and Slate.com as the place to go for theatrical talk. New editions will be available every other Wednesday from this website, where you can listen online, download the programs or subscribe to the podcast.

Scott Ellis
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With:
Scott Ellis

With Theresa Rebeck's The Understudy soon to close at the Roundabout and Douglas Carter Beane's Mr. & Mrs. Fitch beginning rehearsals at Second Stage, director Scott Ellis discusses his attraction to both projects and the delays and opportunities that caused each of them to land in New York a bit later than originally expected. He also discusses his early and absolute conviction that he was destined for a career as an actor, and how quickly that changed; how his friendship with John Kander and Fred Ebb from his acting in The Rink helped him to land his very first directing job, a revival of Flora the Red Menace at the Vineyard Theatre; the enormous opportunities afforded to him by artistic director Todd Haimes at the Roundabout, where Ellis is Associate Artistic Director; how and why he and Susan Stroman came to devise And The World Goes Round; his early work on the plays Picnic and A Month in the Country after his successes with A Little Night Music at the New York City Opera and She Loves Me -- Roundabout's first musical; the opportunity to collaborate on the creation of Steel Pier and the challenges of opening an original book musical in New York without benefit of an out-of-town tryout; why he feels The Look of Love, his Bacharach and David revue didn't succeed -- and why he thinks it was always meant to be done "drinks in hand"; and how he tackled Twelve Angry Men, a seemingly familiar work which had never been produced professionally in New York.

Original air date - January 11, 2010
Running Time - 1:00:50



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